PDF Ebook The Austro-Prussian War: Austria's War with Prussia and Italy in 1866By Geoffrey Wawro

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This is a new history of the Austro-Prussian-Italian War of 1866, which paved the way for German and Italian unification. Geoffrey Wawro describes Prussia's successful invasion of Habsburg Bohemia, and the wretched collapse of the Austrian army in July 1866. Blending military and social history, he describes the panic that overtook Austria's regiments in each clash with the Prussians. He reveals the blundering of the Austrian commandant who fumbled away key strategic advantages and ultimately lost a war--crucial to the fortunes of the Habsburg Monarchy--that most European pundits had predicted they would win.

• Sales Rank: #456871 in Books
• Brand: Brand: Cambridge University Press
• Published on: 1997-09-13
• Original language: English
• Number of items: 1
• Dimensions: 8.98" h x .75" w x 5.98" l, 1.00 pounds
• Binding: Paperback
• 330 pages

Features

• Used Book in Good Condition

Review
"The Franco-Prussian War of 1870-1871 started the modern Hundred Years' War that did not end until 1945. Professor Geoff Wawro's book is the most comprehensive treatment of the subject. Thoughtful and well written, it is a major contribution to an understanding of history." Henry Kissinger

"The Austro-Prussian War is an outstanding work, illustrating once again that operational military history can make important and enjoyable contributions to understanding the past. A must for undergraduate, graduate, and specialist collections." Choice

"Geoffrey Wawro's lively and insightful new study offers the reader a view of the familiar events of the Königgrätz campaign from the relatively unfamiliar perspective of the AustrianFeldzeugmeisterLudwig Benedek's headquarters." German Studies Review

"Wawro's discussion of the strategic plans and dispositions of the three major belligerents and Austria's lesser allies is excellent. The simple maps aid understanding of the deployment and mofvements of widely separated forces on terrain unfamiliar to most American readers." SFC John T. Broom, Military Reviews

"Comprehensive, erudite, balanced, and clearly written, we have here the best work on this war in any language." J. Arden Bucholz, Central European History

"...offers a curious mixture of historical writing. ...Wawro presents excellent campaign history, particularly of the little-covered events in the Italian theater of operations. ...truly valuable for its narrative of events in the Italian theater." Scott W. Lackey, Historian

"This is an extraordinarily luminous book about not only a war but also a continent and a century. Written with verve and wit, The Franco-Prussian War harnesses scholarship and story-telling to wonderful effect. Geoffrey Wawro has given us a magnificent yarn." Rick Atkinson, author of An Army at Dawn and winner of the Pulitzer Prize

"As the author of a history of the Franco-Prussian War that has held the field for some forty years, I was deeply apprehensive when I learned that Dr. Wawro was at work on another. I had good cause to be. His work is magnificent. The research is both wide and deep, the operational analysis masterly, and there is not a dull page in the book. Dr. Wawro has established himself as one of the leading military historians of his generation." Sir Michael Howard

"A lively narrative history, based on an abundance of new research." MacGregor Knox, The London School of Economics

From the Back Cover
Geoffrey Wawro recounts the story of this crucial European war, from its diplomatic origins to its pivotal battles. This is the first history of the Austro-Prussian War in more than thirty years, and the first ever to be based upon extensive research in the political and military archives of Austria, France, Germany, Italy, and England. Wawro has reconstructed the Austrian campaign, blow-by-blow, hour-by-hour. He divulges the secrets of Prussian military success, as well as the dismal, sometimes lurid reasons for Austria's military collapse and Italy's near collapse. The book is most notable for the light it sheds on the Habsburg war effort.

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Free Download We, the People of Europe?: Reflections on Transnational Citizenship (Translation/Transnation)By Étienne Balibar

Free Download We, the People of Europe?: Reflections on Transnational Citizenship (Translation/Transnation)By Étienne Balibar

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We, the People of Europe?: Reflections on Transnational Citizenship (Translation/Transnation)By Étienne Balibar

Free Download We, the People of Europe?: Reflections on Transnational Citizenship (Translation/Transnation)By Étienne Balibar

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étienne Balibar has been one of Europe's most important philosophical and political thinkers since the 1960s. His work has been vastly influential on both sides of the Atlantic throughout the humanities and the social sciences. In We, the People of Europe?, he expands on themes raised in his previous works to offer a trenchant and eloquently written analysis of "transnational citizenship" from the perspective of contemporary Europe. Balibar moves deftly from state theory, national sovereignty, and debates on multiculturalism and European racism, toward imagining a more democratic and less state-centered European citizenship.

Although European unification has progressively divorced the concepts of citizenship and nationhood, this process has met with formidable obstacles. While Balibar seeks a deep understanding of this critical conjuncture, he goes beyond theoretical issues. For example, he examines the emergence, alongside the formal aspects of European citizenship, of a "European apartheid," or the reduplication of external borders in the form of "internal borders" nurtured by dubious notions of national and racial identity. He argues for the democratization of how immigrants and minorities in general are treated by the modern democratic state, and the need to reinvent what it means to be a citizen in an increasingly multicultural, diversified world. A major new work by a renowned theorist, We, the People of Europe? offers a far-reaching alternative to the usual framing of multicultural debates in the United States while also engaging with these debates.

• Sales Rank: #389440 in Books
• Brand: Brand: Princeton University Press
• Published on: 2003-12-14
• Released on: 2003-12-14
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .69" w x 6.14" l, .93 pounds
• Binding: Paperback
• 304 pages

Features

• Used Book in Good Condition

Review
"Balibar tackles a wide range of themes associated with a dialectic of the construction of 'Europe.' . . . The writing is clear, informed, and provocative."--Choice

"There is much merit to this book as a work of political philosophy, inasmuch as it provides new analyses of the concept of sovereignty and develops new ideas about the nature of citizenship under post-modern conditions."--Gustav Peebles, Political Science Quarterly

From the Inside Flap
"This is clearly one of the most prodigious political accomplishments of our time. In open and engaging prose, Balibar offers a serious and thoroughgoing study of the problem of what constitutes citizenship under changing conditions of immigration in Europe. His critique is accompanied by a political vision of democracy at once chastened and hopeful."--Judith Butler, University of California, Berkeley, author of The Psychic Life of Power

"An extremely important book. Anything Balibar writes is sure to find an extremely eager audience in the United States. But the subject of this book--the new politics of immigration and racism in a newly unifying Europe, the very real threat that unification will mean a European version of apartheid, and the possibility that a transnational political counter-subject ("we, the people of Europe") can emerge to oppose globalization--is even more topical than those Balibar has led us to expect from him. His striking and sometimes dazzling commentaries on the various frameworks and discourses at play will be of immediate interest to readers in a wide range of fields."--Bruce Robbins, Columbia University, author of The Servant's Hand

"Together these two volumes constitute an outstanding contribution to the field. They present the views and arguments of the major philosophers of the period with unmatched clarity and subject them to deep and critical scrutiny. In my view there is no other work on the history of twentieth-century century analytic philosophy that matches it in its scope, depth, and elegance."--Ali Kazmi, University of Calgary

From the Back Cover

"This is clearly one of the most prodigious political accomplishments of our time. In open and engaging prose, Balibar offers a serious and thoroughgoing study of the problem of what constitutes citizenship under changing conditions of immigration in Europe. His critique is accompanied by a political vision of democracy at once chastened and hopeful."--Judith Butler, University of California, Berkeley, author of The Psychic Life of Power

"An extremely important book. Anything Balibar writes is sure to find an extremely eager audience in the United States. But the subject of this book--the new politics of immigration and racism in a newly unifying Europe, the very real threat that unification will mean a European version of apartheid, and the possibility that a transnational political counter-subject ("we, the people of Europe") can emerge to oppose globalization--is even more topical than those Balibar has led us to expect from him. His striking and sometimes dazzling commentaries on the various frameworks and discourses at play will be of immediate interest to readers in a wide range of fields."--Bruce Robbins, Columbia University, author of The Servant's Hand

"Together these two volumes constitute an outstanding contribution to the field. They present the views and arguments of the major philosophers of the period with unmatched clarity and subject them to deep and critical scrutiny. In my view there is no other work on the history of twentieth-century century analytic philosophy that matches it in its scope, depth, and elegance."--Ali Kazmi, University of Calgary

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Free Ebook Shostakovich and Stalin: The Extraordinary Relationship Between the Great Composer and the Brutal Dictato rBy Solomon Volkov

Free Ebook Shostakovich and Stalin: The Extraordinary Relationship Between the Great Composer and the Brutal Dictato rBy Solomon Volkov

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Shostakovich and Stalin: The Extraordinary Relationship Between the Great Composer and the Brutal Dictato rBy Solomon Volkov

Free Ebook Shostakovich and Stalin: The Extraordinary Relationship Between the Great Composer and the Brutal Dictato rBy Solomon Volkov

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“Music illuminates a person and provides him with his last hope; even Stalin, a butcher, knew that.” So said the Russian composer Dmitri Shostakovich, whose first compositions in the 1920s identified him as an avant-garde wunderkind. But that same singularity became a liability a decade later under the totalitarian rule of Stalin, with his unpredictable grounds for the persecution of artists. Solomon Volkov—who cowrote Shostakovich’s controversial 1979 memoir, Testimony—describes how this lethal uncertainty affected the composer’s life and work.

Volkov, an authority on Soviet Russian culture, shows us the “holy fool” in Shostakovich: the truth speaker who dared to challenge the supreme powers. We see how Shostakovich struggled to remain faithful to himself in his music and how Stalin fueled that struggle: one minute banning his work, the next encouraging it. We see how some of Shostakovich’s contemporaries—Mandelstam, Bulgakov, and Pasternak among them—fell victim to Stalin’s manipulations and how Shostakovich barely avoided the same fate. And we see the psychological price he paid for what some perceived as self-serving aloofness and others saw as rightfully defended individuality.

This is a revelatory account of the relationship between one of the twentieth century’s greatest composers and one of its most infamous tyrants.


From the Hardcover edition.

• Sales Rank: #133354 in eBooks
• Published on: 2007-12-18
• Released on: 2007-12-18
• Format: Kindle eBook

From Publishers Weekly
Shostakovich's tortured relationship to the Soviet authorities was a main subject of Testimony, a book published after the composer's death by Volkov, who claimed that it contained Shostakovich's own remembrances. Controversy about the authenticity of Testimony swirled for years, until the publication in 1999 of Laurel E. Fay's Shostakovich: A Life, accepted by many scholars as decisively countering Testimony's claims to accuracy. The appearance of a new study by Volkov on Shostakovich (1906-1973), then, is sure to raise critical hackles. Volkov argues that Shostakovich survived the denunciation of his 1934 opera Lady Macbeth of Mtensk, and more minor controversies thereafter, in part by relying on a Russian tradition of playing the "holy fool" when under political pressure. When Stalin asked that Shostakovich henceforth submit operas and ballets for approval, the composer solved the problem by refraining from writing these musical forms. Volkov finds that luck played a role as well in Shostakovich surviving while so many other artists were killed or banned, but the "holy fool" argument as a whole only partially convinces: at times, Shostakovich's reticence regarding the regime seemed to turn into compliance, as when he signed a letter late in his life that denounced human rights activist Andrei Sakharov, an act Volkov says Shostakovich regretted. The book assumes a lot of knowledge of Soviet history for a general readership; nonspecialists interested in the composer and his work will still be better served by Fay.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
After hearing Shostakovich's Fifth Symphony, an envious Boris Pasternak wrote, "He went and said everything, and no one did anything to him for it." The extent of the composer's complicity or dissidence under Stalin has been much debated. Volkov, a prominent adherent of the latter view, marvels at this timid man's ability to express suffering in music that was nonetheless outwardly optimistic, and suggests that Shostakovich found an important model in Pushkin, who survived the cruelties of Tsar Nicholas I by juggling three classically Russian roles—"pretender," " chronicler," and "holy fool." Volkov's story depends too often on hunches and assumptions, but he is illuminating when he places the composer in the context of other artists (Pasternak, Bulgakov, and Mandelstam) who attempted dialogue with Stalin and were alternately supported and persecuted by him.
Copyright © 2005 The New Yorker

From Booklist
Like Czar Nicholas I a century before him, Stalin was a tyrant who ruled with an iron fist, using people like pawns in a game. During his era of fear and yearning for freedom, Soviet cultural figures, taking the writer Pushkin as a model, resorted to subterfuge and double entendre to express their true beliefs. Volkov, coauthor of Shostakovich's memoirs, speaks from firsthand knowledge of the composer vis-a-vis Stalin, and he compares Shostakovich to the poet Pimen in Pushkin's play Boris Godunov, who embodied the holy fool, the pretender, and the chronicler. With the opera Lady Macbeth of Mtensk, Shostakovich ran afoul of Stalin. Thereafter, to express his covert rebellion, he quoted extensively from Berlioz, Tchaikovsky, and others who composed, as he often did, with death in mind. Volkov includes material about all the noted writers, artists, and composers of Shostakovich's era to describe the repressive environment and how it shaped Soviet culture, thereby offering invaluable insight into the subversive life of the intelligentsia of the time. Alan Hirsch
Copyright © American Library Association. All rights reserved

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